Swipe

flyvintageandvinyl

If it’s really a post-genre world, why does everything sound the same?

The two halves of Tampa rap duo They Hate Change—Dre (he/him) and Vonne (they/them)—first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people—they’re sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they’ve been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that “encyclopedic” barely begins to cover it—not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast’s twerkably raunchy answer to house) and crank (think “Miami bass meets NOLA bounce”), but also drum ‘n’ bass, Chicago footwork, post-punk, prog (they’re, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map.

Once they graduated to DJs on the Tampa DIY scene—which includes everything from punk rock house parties to the black “teen nights” that pop up in rec centers and ballrooms—they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them.

“With this album, Vonne says, “it’s really like, okay, you know how you talk about the internet breaking down borders? Here’s what that actually sounds like. It’s not just a hip-hop record with a couple more weird sounds. You want homegrown DIY? This is a record that was written, produced, and recorded in a 150-squarefoot bedroom from the least cool city you could think of.”

Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks.

Let the rest of them keep playing by the old rules—They Hate Change will keep changing the game.

If it’s really a post-genre world, why does everything sound the same?

The two halves of Tampa rap duo They Hate Change—Dre (he/him) and Vonne (they/them)—first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people—they’re sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they’ve been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that “encyclopedic” barely begins to cover it—not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast’s twerkably raunchy answer to house) and crank (think “Miami bass meets NOLA bounce”), but also drum ‘n’ bass, Chicago footwork, post-punk, prog (they’re, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map.

Once they graduated to DJs on the Tampa DIY scene—which includes everything from punk rock house parties to the black “teen nights” that pop up in rec centers and ballrooms—they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them.

“With this album, Vonne says, “it’s really like, okay, you know how you talk about the internet breaking down borders? Here’s what that actually sounds like. It’s not just a hip-hop record with a couple more weird sounds. You want homegrown DIY? This is a record that was written, produced, and recorded in a 150-squarefoot bedroom from the least cool city you could think of.”

Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks.

Let the rest of them keep playing by the old rules—They Hate Change will keep changing the game.

656605241128

Details

Format: CD
Label: Jagjaguwar
Rel. Date: 06/03/2022
UPC: 656605241128

More Info:

If it’s really a post-genre world, why does everything sound the same?

The two halves of Tampa rap duo They Hate Change—Dre (he/him) and Vonne (they/them)—first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people—they’re sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they’ve been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that “encyclopedic” barely begins to cover it—not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast’s twerkably raunchy answer to house) and crank (think “Miami bass meets NOLA bounce”), but also drum ‘n’ bass, Chicago footwork, post-punk, prog (they’re, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map.

Once they graduated to DJs on the Tampa DIY scene—which includes everything from punk rock house parties to the black “teen nights” that pop up in rec centers and ballrooms—they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them.

“With this album, Vonne says, “it’s really like, okay, you know how you talk about the internet breaking down borders? Here’s what that actually sounds like. It’s not just a hip-hop record with a couple more weird sounds. You want homegrown DIY? This is a record that was written, produced, and recorded in a 150-squarefoot bedroom from the least cool city you could think of.”

Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks.

Let the rest of them keep playing by the old rules—They Hate Change will keep changing the game.

Reviews:

Pack Shot

All New Items on flyvintageandvinyl.com are Priced Below MSRP
and do not reflect our in-store prices and are not necessarily in stock at our physical store.
In fact, most items won’t be because we’re a small, family run business and don’t have space to stock nearly 500,000 new titles.

Separate Shopping Carts for New and Used Items
Because new items available on flyvintageandvinyl.com are fulfilled by our distributor and used items available on used.flyvintageandvinyl.com
(via the “Buy Used” button above) are fulfilled by us at our physical store, they require separate shopping carts and checkout procedures.
It’s a minor inconvenience, but we’ll try to make it worth your while with our selection, ultrasonic-cleaned used records and competitive prices.
Shipping within the U.S. is $5 for the first LP plus 50˘ for each additional LP via USPS Media Mail.

A Note About Pre-Orders
Orders containing both pre-orders and “Available to Order” items from flyvintageandvinyl.com will be shipped in one package when the pre-order title(s) is/are released.

International Orders, Box Sets and Larger Items
may incur an additional shipping fee and we’ll notify you by email before we process your order. Customs forms for international orders are marked as "Merchandise"
and we are not responsible for any additional customs fees when packages arrive at their destination country. Select items aren't allowed to be shipped outside the U.S.
and we’ll issue a refund for these if export restrictions apply. We reserve the right to limit quantities on select items.
back to top