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Adapting one of Australia's most beloved books, We of the Never Never (1982) is an immersive, visually breathtaking period tale of a resilient lady, a steadfast love and a landscape both unforgiving and reinvigorating. Marrying the new station master (Arthur Dignam) of a Northern Territory cattle ranch, the well-bred Jeannie (Angela Punch McGregor) joins her husband in the Outback, considered "no place for a woman" circa 1902. There, she strives to establish a homestead, overcome the misogyny of the male workforce, and understand and learn from the local Aboriginal nomads. Graced with Australian Film Institute Award-winning cinematography by Gary Hansen (beautifully showcased in a new 4K restoration-derived transfer) and a stirring score by Peter Best, the resulting film is "a first-class adventure story" (Judith Crist, WOR-TV/New York).
Adapting one of Australia's most beloved books, We of the Never Never (1982) is an immersive, visually breathtaking period tale of a resilient lady, a steadfast love and a landscape both unforgiving and reinvigorating. Marrying the new station master (Arthur Dignam) of a Northern Territory cattle ranch, the well-bred Jeannie (Angela Punch McGregor) joins her husband in the Outback, considered "no place for a woman" circa 1902. There, she strives to establish a homestead, overcome the misogyny of the male workforce, and understand and learn from the local Aboriginal nomads. Graced with Australian Film Institute Award-winning cinematography by Gary Hansen (beautifully showcased in a new 4K restoration-derived transfer) and a stirring score by Peter Best, the resulting film is "a first-class adventure story" (Judith Crist, WOR-TV/New York).
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Adapting one of Australia's most beloved books, We of the Never Never (1982) is an immersive, visually breathtaking period tale of a resilient lady, a steadfast love and a landscape both unforgiving and reinvigorating. Marrying the new station master (Arthur Dignam) of a Northern Territory cattle ranch, the well-bred Jeannie (Angela Punch McGregor) joins her husband in the Outback, considered "no place for a woman" circa 1902. There, she strives to establish a homestead, overcome the misogyny of the male workforce, and understand and learn from the local Aboriginal nomads. Graced with Australian Film Institute Award-winning cinematography by Gary Hansen (beautifully showcased in a new 4K restoration-derived transfer) and a stirring score by Peter Best, the resulting film is "a first-class adventure story" (Judith Crist, WOR-TV/New York).
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