Situated at the vanguard of Euro-Folk Noir, these songs build on the cabaret traditions of Old World masters like Georges Brassens, Jacques Brel and Fabrizio de Andre', now fused with the dark Old Testament prophecy and Kabbalistic visions conjured by New World visionaries Townes Van Zandt, Leonard Cohen or Bob Dylan. The result is like some exotic desert fruit - equal parts bruised pulp and scarified skin, set off against the crepuscular glow of the violet horizon or blood pooled on the desert floor - all delivered in what accidental fan Lucinda Williams calls Georg's "great sexy-gravelly voice," leavened by Heike's translucent harmonies, like roses circling a tattooed heart.
Situated at the vanguard of Euro-Folk Noir, these songs build on the cabaret traditions of Old World masters like Georges Brassens, Jacques Brel and Fabrizio de Andre', now fused with the dark Old Testament prophecy and Kabbalistic visions conjured by New World visionaries Townes Van Zandt, Leonard Cohen or Bob Dylan. The result is like some exotic desert fruit - equal parts bruised pulp and scarified skin, set off against the crepuscular glow of the violet horizon or blood pooled on the desert floor - all delivered in what accidental fan Lucinda Williams calls Georg's "great sexy-gravelly voice," leavened by Heike's translucent harmonies, like roses circling a tattooed heart.
850019164060
Solitary Company
Artist: Son Of The Velvet Rat
Format: Vinyl
New: Available $20.22
Wish

Available Formats and Editions

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Situated at the vanguard of Euro-Folk Noir, these songs build on the cabaret traditions of Old World masters like Georges Brassens, Jacques Brel and Fabrizio de Andre', now fused with the dark Old Testament prophecy and Kabbalistic visions conjured by New World visionaries Townes Van Zandt, Leonard Cohen or Bob Dylan. The result is like some exotic desert fruit - equal parts bruised pulp and scarified skin, set off against the crepuscular glow of the violet horizon or blood pooled on the desert floor - all delivered in what accidental fan Lucinda Williams calls Georg's "great sexy-gravelly voice," leavened by Heike's translucent harmonies, like roses circling a tattooed heart.

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